Month: September 2019

As I drive around town, I’ve been seeing fruit on the trees–first peaches, then pears and now apples. This is a dense one but it’s lovely.

A Sweetening All Around Me As It Falls
by Jane Hirshfield (1992)

Even generous August
only a child’s scribblings
on thick black paper, in smudgeable chalk –
even the ripening tomatoes, even the roses,
blowsy, losing their fragrance of black tea.
A winter light held this morning’s apples
as they fell, sweet, streaked by one touch
of the careless brush, appling to earth.
The seeds so deep inside they carry that cold.
Is this why some choose solitude, to rise
that small bit further, unencumbered by love of earth,
as the branches, lighter, kite now a little higher
on gold air? But the apples love the earth and falling,
lose themselves in it as much as they can at first touch
and then, with time and rain, at last completely:
to be that bone-like One that shines unleafed in
winter rain,
all black and glazed with not the pendant gold of
necklaced summer but the ice-color mirroring
starlight
when the earth is lonely and dark and knows nothing
of apples.
Seed-black of the paper, seed-black of the waiting
heart—
December’s shine, austere and fragile, carves the
visible tree.
But today, cut deep in last plums, in yellow pears,
in second flush of roses, in the warmth of an hour,
now late,
as drunk on heat as the girl who long ago vanished
into green trees,
fold that loneliness, one moment, two, love, back into
your arms.

This is from her book Dark Fields of the Republic: Poems 1991-1995 . “This is not somewhere else but here” is such a warning.

What Kind of Times Are These
Adrienne Rich

There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won’t tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.