This one is from A Poem A Day and it’s just nice.

The Orange
by Wendy Cope

At lunchtime I bought a huge orange
The size of it made us all laugh.
I peeled it and shared it with Robert and Dave—
They got quarters and I had a half.

And that orange, it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park
This is peace and contentment. It’s new.

The rest of the day was quite easy.
I did all my jobs on my list
And enjoyed them and had some time over.
I love you. I’m glad I exist.

Happy New Year, friends. I never want another year like 2019 but, you know, we made it through it somehow.

Even Cleveland posted an excerpt from good old Thomas Stearns’ long poem Little Gidding for the new year. I haven’t been reading a lot of Eliot lately but this seems appropriate:

What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right […]
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea’s throat
Or to an illegible stone: and that is where we start.

That is where we start, indeed. Here’s to starting at the beginning, after the end of everything.

This will be the first Christmas without Mom. We got through the first Thanksgiving without her, but both she and I loved Christmas. I keep coming back to this Robert Bly poem I first found in 2012. I just like the…doubt, I guess, that runs through all of it, and the acknowledgement that “so much was lost.”

A Christmas Poem
by Robert Bly

Christmas is a place, like Jackson Hole, where all
agree
To meet once a year. It has water, and grass for
horses;
All the fur traders can come in. We visited the place
As children, but we never heard the good stories.

Those stories only get told in the big tents, late
At night, when a trapper who has been caught
In his own trap, held down in icy water, talks; and a
man
With a ponytail and a limp comes in from the edge of
the fire.

As children we knew there was more to it—
Why some men got drunk on Christmas Eve
Wasn’t explained, nor why we were so often
Near tears nor why the stars came down so close,
Why so much was lost. Those men and women
Who had died in wars started by others,
Did they come that night? Is that why the Christmas
tree
Trembled just before we opened the presents?

There was something about angels. Angels we
Have heard on high Sweetly singing o’er
The plain. The angels were certain. But we could not
Be certain whether our family was worthy tonight.

A friend sent me this Joy Harjo poem yesterday and “Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.” is just…ineffable. Good stuff.

Perhaps the World Ends Here
by Joy Harjo

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

(from The Woman Who Fell From the Sky, 1994)

Lisa Congden quoted part of this on her Instagram yesterday so I had to look the whole thing up. “Looking out for sorrow,/slowing down for happiness,/making all the right turns”–Mary Oliver is just the best

Coming Home
by Mary Oliver

When we are driving in the dark,
on the long road to Provincetown,
when we are weary,
when the buildings and the scrub pines lose their familiar look,
I imagine us rising from the speeding car.
I imagine us seeing everything from another place–
the top of one of the pale dunes, or the deep and nameless
fields of the sea.
And what we see is a world that cannot cherish us,
but which we cherish.
And what we see is our life moving like that
along the dark edges of everything,
headlights sweeping the blackness,
believing in a thousand fragile and unprovable things.
Looking out for sorrow,
slowing down for happiness,
making all the right turns
right down to the thumping barriers to the sea,
the swirling waves,
the narrow streets, the houses,
the past, the future,
the doorway that belongs
to you and me.

Matthew Ogle has restarted his Pome newsletter and this came through a couple of days ago:

Daylight Savings

Like money the light
doesn’t go

as far these days

Kevin Young (2010)

Via Austin Kleon, this is by Ron Padgett from his book Big Cabin.

Something to remember.

It Is Not Your Job

by Caitlyn Siehl

when your little girl
asks you if she’s pretty
your heart will drop like a wineglass
on the hardwood floor
part of you will want to say
of course you are, don’t ever question it
and the other part
the part that is clawing at
you
will want to grab her by her shoulders
look straight into the wells of
her eyes until they echo back to you
and say
you do not have to be if you don’t want to
it is not your job
both will feel right
one will feel better
she will only understand the first
when she wants to cut her hair off
or wear her brother’s clothes
you will feel the words in your
mouth like marbles
you do not have to be pretty if you don’t want to
it is not your job

As I drive around town, I’ve been seeing fruit on the trees–first peaches, then pears and now apples. This is a dense one but it’s lovely.

A Sweetening All Around Me As It Falls
by Jane Hirshfield (1992)

Even generous August
only a child’s scribblings
on thick black paper, in smudgeable chalk –
even the ripening tomatoes, even the roses,
blowsy, losing their fragrance of black tea.
A winter light held this morning’s apples
as they fell, sweet, streaked by one touch
of the careless brush, appling to earth.
The seeds so deep inside they carry that cold.
Is this why some choose solitude, to rise
that small bit further, unencumbered by love of earth,
as the branches, lighter, kite now a little higher
on gold air? But the apples love the earth and falling,
lose themselves in it as much as they can at first touch
and then, with time and rain, at last completely:
to be that bone-like One that shines unleafed in
winter rain,
all black and glazed with not the pendant gold of
necklaced summer but the ice-color mirroring
starlight
when the earth is lonely and dark and knows nothing
of apples.
Seed-black of the paper, seed-black of the waiting
heart—
December’s shine, austere and fragile, carves the
visible tree.
But today, cut deep in last plums, in yellow pears,
in second flush of roses, in the warmth of an hour,
now late,
as drunk on heat as the girl who long ago vanished
into green trees,
fold that loneliness, one moment, two, love, back into
your arms.

This is from her book Dark Fields of the Republic: Poems 1991-1995 . “This is not somewhere else but here” is such a warning.

What Kind of Times Are These
Adrienne Rich

There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won’t tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.