Category: Mark Strand

I saw that poet Mark Strand passed away on the 29th at the age of 80. He was a favorite around here (I even saw him read once) and I was always sad that his time teaching at the U of U predated me being there.

Here is my absolute favorite of his, found in the Gallivan Center in downtown Salt Lake:

Visions of the end may secretly seduce
our thoughts like water sinking
into water, air drifting into air;
clouds may form, when least expected,
darkening the glass of self,
canceling resemblances to what we are.

Even here, while summer sunlight
falling through the golden
folds of afternoon
brightens up the air, we mark
our progress by how much
we leave behind. And yet,
this vanishing is burnished
by a slow, melodious light,
as if our passage here
were beautiful because
no turning back is possible.

It is our knowledge of the end
that speaks for us, that has us weave,
as slowly as we can, an elegy
to all our walks. It is our way
of bending to the world’s will
and giving thanks.

If you have the day off, enjoy the thaw while it lasts–because I think more snow is on the way this week. Here’s a poem about surviving winter:

Lines for Winter
by Mark Strand

Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon’s gaze in the valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.

Today’s poem is from our buddy Mark Strand, found on the Writer’s Almanac a few weeks ago:

This poem was on the Writer’s Almanac this morning and it reminded me of the first long chapter of Dandelion Wine where Douglas realizes he’s alive (well, mortal; he’s 11 in the book so obviously he’s been alive and known about it for some time).

Anyway. Good old Mark Strand gives us another lovely poem:

My Name

Once when the lawn was a golden green
and the marbled moonlit trees rose like fresh memorials
in the scented air, and the whole countryside pulsed
with the chirr and murmur of insects, I lay in the grass,
feeling the great distances open above me, and wondered
what I would become and where I would find myself,
and though I barely existed, I felt for an instant
that the vast star-clustered sky was mine, and I heard
my name as if for the first time, heard it the way
one hears the wind or the rain, but faint and far off
as though it belonged not to me but to the silence
from which it had come and to which it would go.

Monday’s Writer’s Almanac featured a Mark Strand poem that I really liked, with the love/tepid relationship with cooking and cleaning that I have. (I like to eat and I love a clean house, but sometimes I get so tired of providing food and order.) (My budget doesn’t allow for restaurants. Or a maid. Someday.)

But this elevated things, if only momentarily. From “The Continuous Life“:

…O parents, confess
To your little ones the night is a long way off
And your taste for the mundane grows; tell them
Your worship of household chores has barely begun;
Describe the beauty of shovels and rakes, brooms and mops;
Say there will always be cooking and cleaning to do,
That one thing leads to another, which leads to another;
Explain that you live between two great darks, the first
With an ending, the second without one, that the luckiest
Thing is having been born, that you live in a blur
Of hours and days, months and years, and believe
It has meaning, despite the occasional fear
You are slipping away with nothing completed, nothing
To prove you existed.

That feeling of being privy to a new and great truth just because you were lucky enough to pick up a particular book is a source of endless delight and amazement, yes, but in particular times and with certain literature (okay, poetry) it can almost be a source of blessedness, of certainty there is an order for good in the universe. I have to think, “Someone who could put this feeling into words exits in the universe, was lucky enough to have the words ready for the feeling, was lucky enough to be able to share these words, and I was lucky enough to discover them when I didn’t know I needed them.”

Or something along those lines. This is actually carved above the water feature that’s in the south end of the Gallivan Center. I found it in college and, indeed, thought I was lucky.

Visions of the end may secretly seduce
our thoughts like water sinking
into water, air drifting into air;
clouds may form, when least expected,
darkening the glass of self,
canceling resemblances to what we are.
Even here, while summer sunlight
falling through the golden
folds of afternoon
brightens up the air, we mark
our progress by how much
we leave behind. And yet,
this vanishing is burnished
by a slow, melodious light,
as if our passage here
were beautiful because
no turning back is possible.
It is our knowledge of the end
that speaks for us, that has us weave,
as slowly as we can, an elegy
to all our walks. It is our way
of bending to the world’s will
and giving thanks.