Category: poems

"Improbable, beautiful and afraid of nothing"

Karen1 Comment

Here’s something from Mary Oliver that the Writer’s Almanac had posted last weekend. It works in birds, and winter, and being a better person–just right.

Starlings in Winter
by Mary Oliver

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can’t imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,

even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard, I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

Maybe This Is Why I Like The Cosmos Series So Much Lately

Karen2 Comments

Today’s Writer’s Almanac featured this poem (and also a description of the “Stella shouting contest, also known as the ‘Stell-off'” that’s part of a Tennessee Williams festival–the Writer’s Almanac is nothing if not varied):

Stars

by Freya Manfred

What matters most? It’s a foolish question because I’m hanging on,
just like you. No, I’m past hanging on. It’s after midnight and I’m falling
toward four a.m., the best time for ghosts, terror, and lost hopes.

No one says anything of significance to me. I don’t care if the President’s
a two year old, and the Vice President’s four. I don’t care if you’re
cashing in your stocks or building homes for the homeless.

I was a caring person. I would make soup and grow you many flowers.
I would enter your world, my hands open to catch your tears,
my lips on your lips in case we both went deaf and blind.

But I don’t care about your birthday, or Christmas, or lover’s lane,
or even you, not as much as I pretend. Ah, I was about to say,

“I don’t care about the stars” — but I had to stop my pen.
Sometimes, out in the silent black Wisconsin countryside
I glance up and see everything that’s not on earth, glowing, pulsing,
each star so close to the next and yet so far away.

Oh, the stars. In lines and curves, with fainter, more mysterious
designs beyond, and again, beyond. The longer I look, the more I see,
and the more I see, the deeper the universe grows.

I have a long way to go, and I’m starting now —
out in the silent black Wisconsin countryside.

"…my heart is closing like a fist…"

Karen

A Monday sort of poem: Part of “Mayakovsky,” from Frank O’Hara’s Meditations in an Emergency, as quoted in Season 2 of Mad Men, which I am re-watching:

Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.

The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.

It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.

(The title is from part 2 of the poem but I’m quoting part 4; I found the whole thing online here. Frank O’Hara was a musician, too.)

Get One Last Trip To The Farmers’ Market In

Karen

They’re winding down for the season, as is the garden. I’ll make it a two-poem week and post this one about the harvest. (Now I’m going to think “human brains covered in red oilcloth” when I cut up the last tomatoes to freeze.)

Harvest

by Louise Gluck

It’s autumn in the market—
not wise anymore to buy tomatoes.
They’re beautiful still on the outside,
some perfectly round and red, the rare varieties
misshapen, individual, like human brains covered in red oilcloth—

Inside, they’re gone. Black, moldy—
you can’t take a bite without anxiety.
Here and there, among the tainted ones, a fruit
still perfect, picked before decay set in.

Instead of tomatoes, crops nobody really wants.
Pumpkins, a lot of pumpkins.
Gourds, ropes of dried chilies, braids of garlic.
The artisans weave dead flowers into wreaths;
they tie bits of colored yarn around dried lavender.
And people go on for a while buying these things
as though they thought the farmers would see to it
that things went back to normal:
the vines would go back to bearing new peas;
the first small lettuces, so fragile, so delicate, would begin
to poke out of the dirt.

Instead, it gets dark early.
And the rains get heavier; they carry
the weight of dead leaves.

At dusk, now, an atmosphere of threat, of foreboding.
And people feel this themselves; they give a name to the season,
harvest, to put a better face on these things.

The gourds are rotting on the ground, the sweet blue grapes are finished.
A few roots, maybe, but the ground’s so hard the farmers think
it isn’t worth the effort to dig them out. For what?
To stand in the marketplace under a thin umbrella, in the rain, in the cold,
no customers anymore?

And then the frost comes; there’s no more question of harvest.
The snow begins; the pretense of life ends.
The earth is white now; the fields shine when the moon rises.

I sit at the bedroom window, watching the snow fall.
The earth is like a mirror:
calm meeting calm, detachment meeting detachment.

What lives, lives underground.
What dies, dies without struggle.

In Need Of Re-Posting

Karen1 Comment

I know I put up this poem last year, in the heat of the election and seasonal change and economic apocalypse, but let’s put it up again this year, for another time of transition:

“How to Like It,” by Stephen Dobyns

These are the first days of fall. The wind
at evening smells of roads still to be traveled,
while the sound of leaves blowing across the lawns
is like an unsettled feeling in the blood,
the desire to get in a car and just keep driving.
A man and a dog descend their front steps.
The dog says, Let’s go downtown and get crazy drunk.
Let’s tip over all the trash cans we can find.
This is how dogs deal with the prospect of change.
But in his sense of the season, the man is struck
by the oppressiveness of his past, how his memories
which were shifting and fluid have grown more solid
until it seems he can see remembered faces
caught up among the dark places in the trees.
The dog says, Let’s pick up some girls and just
rip off their clothes. Let’s dig holes everywhere.
Above his house, the man notices wisps of cloud
crossing the face of the moon. Like in a movie,
he says to himself, a movie about a person
leaving on a journey. He looks down the street
to the hills outside of town and finds the cut
where the road heads north. He thinks of driving
on that road and the dusty smell of the car
heater, which hasn’t been used since last winter.
The dog says, Let’s go down to the diner and sniff
people’s legs. Let’s stuff ourselves on burgers.
In the man’s mind, the road is empty and dark.
Pine trees press down to the edge of the shoulder,
where the eyes of animals, fixed in his headlights,
shine like small cautions against the night.
Sometimes a passing truck makes his whole car shake.
The dog says, Let’s go to sleep. Let’s lie down
by the fire and put our tails over our noses.
But the man wants to drive all night, crossing
one state line after another, and never stop
until the sun creeps into his rearview mirror.
Then he’ll pull over and rest awhile before
starting again, and at dusk he’ll crest a hill
and there, filling a valley, will be the lights
of a city entirely new to him.
But the dog says, Let’s just go back inside.
Let’s not do anything tonight. So they
walk back up the sidewalk to the front steps.
How is it possible to want so many things
and still want nothing? The man wants to sleep
and wants to hit his head again and again
against a wall. Why is it all so difficult?
But the dog says, Let’s go make a sandwich.
Let’s make the tallest sandwich anyone’s ever seen.
And that’s what they do and that’s where the man’s
wife finds him, staring into the refrigerator
as if into the place where the answers are kept-
the ones telling why you get up in the morning
and how it is possible to sleep at night,
answers to what comes next and how to like it.

A Poem For Thursday

Karen

In The Night Orchard

by R. T. Smith

I know, because Paul has told me
a hundred times, that the deer
gliding tonight through tangleweed
and trashwood, then bounding across
Mount Atlas Road, are after his pears.

And who could blame them?
On the threshold of autumn, the Asian
imports, more amazing than any Seckle
or indigenous apple, start to ripen.
Then a passing crow will peck one open.

That’s when the whitetails who bed
and gather beyond Matson’s pasture
will catch the scent and begin to stir.
It’s a dry time, and they go slowly mad
for sweetness. No fence can stop them.

The farmers like Paul will admit
it starts in hunger, but how suddenly
need goes to frenzy and sheer plunder.
When the blush-gold windfalls are gone
and the low boughs are stripped

of anything resembling bounty, bucks
will rise on their hind legs and clamber
up the trunks. Last week Cecil Emore
found one strangled in a fork,
his twisted antlers tangled as if

some hunter had hung him there
to cure. We all remember what it’s like,
this driven season, this delirium
for something not yet given a name,
but the world turns us practical, tames

us to yearn for milder pleasures.
For Augustine, it was actual pears
that brought him out of the shadows
and over a wall, for Eve, the secret
inside what we now say was an apple.

Others have given up safety for less,
and I wonder, catching an eight-point
buck outlined on the ridge amid spruce,
if it’s this moonstruck nature that renders
the ruminants beautiful, or if we stalk

them out of envy, not for the grace
of their gliding, but for the unadorned
instinct that draws them after dark
into trespass and the need to ruin
the sweetest thing they’ve ever known.

Happy Fall

Karen

190 years and three days ago, John Keats wrote his “Ode to Autumn,” and, while the astronomical equinox isn’t until tomorrow, it’s a nice way to start the week. Here’s the first stanza; you can read the rest of it here.

Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.

A Monday Morning Sort Of Poem

Karen

Love Poem with Toast

by Miller Williams

Some of what we do, we do
to make things happen,
the alarm to wake us up, the coffee to perc,
the car to start.

The rest of what we do, we do
trying to keep something from doing something
the skin from aging, the hoe from rusting,
the truth from getting out.

With yes and no like the poles of a battery
powering our passage through the days,
we move, as we call it, forward,
wanting to be wanted,
wanting not to lose the rain forest,
wanting the water to boil,
wanting not to have cancer,
wanting to be home by dark,
wanting not to run out of gas,

as each of us wants the other
watching at the end,
as both want not to leave the other alone,
as wanting to love beyond this meat and bone,
we gaze across breakfast and pretend.

Just When You Start Planning Ahead For Fall Projects

Karen

…The Writer’s Almanac puts up a Mary Oliver poem about the uncertainty of tomorrow. But it’s a nice poem.

Walking to Oak-Head Pond, and Thinking of the Ponds I Will Visit in the Next Days and Weeks

by Mary Oliver


What is so utterly invisible
as tomorrow?
Not love,
not the wind,

not the inside of stone.
Not anything.
And yet, how often I’m fooled-
I’m wading along

in the sunlight-
and I’m sure I can see the fields and the ponds shining
days ahead-
I can see the light spilling

like a shower of meteors
into next week’s trees,
and I plan to be there soon-
and, so far, I am

just that lucky,
my legs splashing
over the edge of darkness,
my heart on fire.

I don’t know where
such certainty comes from-
the brave flesh
or the theater of the mind-

but if I had to guess
I would say that only
what the soul is supposed to be
could send us forth

with such cheer
as even the leaf must wear
as it unfurls
its fragrant body, and shines

against the hard possibility of stoppage-
which, day after day,
before such brisk, corpuscular belief,
shudders, and gives way.