Tricky Times

Everyone has election anxiety, the time’s going to change next week, I’m the only writer at work until we hire someone new, and last night within an hour I told Matt, “I just want to stay home and sew all day” and “Let’s go to Canyonlands and never come back.”

Sounds like it’s time to re-post this poem (last shared in 2009), with the key being in the last line: “answers to what comes next and how to like it.”

 

How to Like It
by Stephen Dobyns

These are the first days of fall. The wind
at evening smells of roads still to be traveled,
while the sound of leaves blowing across the lawns
is like an unsettled feeling in the blood,
the desire to get in a car and just keep driving.
A man and a dog descend their front steps.
The dog says, Let’s go downtown and get crazy drunk.
Let’s tip over all the trash cans we can find.
This is how dogs deal with the prospect of change.
But in his sense of the season, the man is struck
by the oppressiveness of his past, how his memories
which were shifting and fluid have grown more solid
until it seems he can see remembered faces
caught up among the dark places in the trees.
The dog says, Let’s pick up some girls and just
rip off their clothes. Let’s dig holes everywhere.
Above his house, the man notices wisps of cloud
crossing the face of the moon. Like in a movie,
he says to himself, a movie about a person
leaving on a journey. He looks down the street
to the hills outside of town and finds the cut
where the road heads north. He thinks of driving
on that road and the dusty smell of the car
heater, which hasn’t been used since last winter.
The dog says, Let’s go down to the diner and sniff
people’s legs. Let’s stuff ourselves on burgers.
In the man’s mind, the road is empty and dark.
Pine trees press down to the edge of the shoulder,
where the eyes of animals, fixed in his headlights,
shine like small cautions against the night.
Sometimes a passing truck makes his whole car shake.
The dog says, Let’s go to sleep. Let’s lie down
by the fire and put our tails over our noses.
But the man wants to drive all night, crossing
one state line after another, and never stop
until the sun creeps into his rearview mirror.
Then he’ll pull over and rest awhile before
starting again, and at dusk he’ll crest a hill
and there, filling a valley, will be the lights
of a city entirely new to him.
But the dog says, Let’s just go back inside.
Let’s not do anything tonight. So they
walk back up the sidewalk to the front steps.
How is it possible to want so many things
and still want nothing? The man wants to sleep
and wants to hit his head again and again
against a wall. Why is it all so difficult?
But the dog says, Let’s go make a sandwich.
Let’s make the tallest sandwich anyone’s ever seen.
And that’s what they do and that’s where the man’s
wife finds him, staring into the refrigerator
as if into the place where the answers are kept–
the ones telling why you get up in the morning
and how it is possible to sleep at night,
answers to what comes next and how to like it.

Thursday Poem

I’m a little behind in my Writer’s Almanac poems but this was up this week and is as timely as the title:

 

October 10

Now constantly there is the sound,
quieter than rain,
of the leaves falling.

Under their loosening bright
gold, the sycamore limbs
bleach whiter.

Now the only flowers
are beeweed and aster, spray
of their white and lavender
over the brown leaves.

The calling of a crow sounds
Loud — landmark — now
that the life of summer falls
silent, and the nights grow.

How About A Poem Instead

I could discuss this or this (terrifying) or remind you to make sure you’re registered to vote… but let’s take a break and read a poem. Yesterday was the sort of day like this one:

 

A Day In Autumn
R.S. Thomas
It will not always be like this,
The air windless, a few last
Leaves adding their decoration
To the trees’ shoulders, braiding the cuffs
Of the boughs with gold; a bird preening

In the lawn’s mirror. Having looked up
From the day’s chores, pause a minute,
Let the mind take its photograph
Of the bright scene, something to wear
Against the heart in the long cold.

Thursday Poem

This is a good one–but a sad one and maybe one not to read if you’re feeling worn out or worn down by the world. On the other hand, it may help. There’s something to that catharsis idea after all.

Good Bones
Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

Opera Poem

I went looking for a poem about opera singers I remembered from years back (spurred by checking the Met Live in HD schedule for the coming season) and found this one instead. Which has maybe the best title of any poem ever. And would also make a really good name for a dog.

 

Honda Pavarotti
by Tony Hoagland

I’m driving on the dark highway
when the opera singer on the radio
opens his great mouth
and the whole car plunges down the canyon of his throat.

So the night becomes an aria of stars and exit signs
as I steer through the galleries
of one dilated Italian syllable
after another. I love the passages in which

the rich flood of the baritone
strains out against the walls of the esophagus,
and I love the pauses
in which I hear the tenor’s flesh labor to inhale

enough oxygen to take the next plummet
up into the chasm of the violins.
In part of the song, it sounds as if the singer
is being squeezed by an enormous pair of tongs

while his head and legs keep kicking.
In part of the song, it sounds as if he is
standing in the middle of a coliseum,
swinging a 300-pound lion by the tail,

the empire of gravity
conquered by the empire of aerodynamics,
the citadel of pride in flames
and the citizens of weakness
celebrating their defeat in chorus,

joy and suffering made one at last,
joined in everything a marriage is alleged to be,
though I know the woman he is singing for
is dead in a foreign language on the stage beside him,
though I know his chain mail is made of silver-painted plastic
and his mismanagement of money is legendary,
as I know I have squandered
most of my own life

in a haze of trivial distractions,
and that I will continue to waste it.
But wherever I was going, I don’t care anymore,
because no place I could arrive at

is good enough for this, this thing made out of experience
but to which experience will never measure up.
And that dark and soaring fact
is enough to make me renounce the whole world
or fall in love with it forever.

Thursday Poem

We haven’t reached “cool gusts” yet but the heat wave of the last three weeks did finally break. And back to school stuff has taken over the outdoor section at Target, so this is relevant.

 

August

Just when you’d begun to feel
You could rely on the summer,
That each morning would deliver
The same mourning dove singing
From his station on the phone pole,
The same smell of bacon frying
Somewhere in the neighborhood,
The same sun burning off
The coastal fog by noon,
When you could reward yourself
For a good morning’s work
With lunch at the same little seaside cafe
With its shaded deck and iced tea,
The day’s routine finally down
Like an old song with minor variations,
There comes that morning when the light
Tilts ever so slightly on its track,
A cool gust out of nowhere
Whirlwinds a litter of dead grass
Across the sidewalk, the swimsuits
Are piled on the sale table,
And the back of your hand,
Which you thought you knew,
Has begun to look like an old leaf.
Or the back of someone else’s hand.

Wednesday Poem

Blame it on starting college studying music AND creative writing, but I will always be a sucker for poems about music. Beethoven quartets are my summer listening anyway, so this is perfect:

String Theory

by Ronald Wallace

I have to believe a Beethoven
string quartet is not unlike
the elliptical music of gossip:
one violin excited
to pass its small story along
to the next violin and the next
until, finally, come full circle,
the whole conversation is changed.

And I have to believe such music
is at work at the deep heart of things,
that under the protons and electrons,
behind the bosons and quarks,
with their bonds and strange attractors,
these strings, these tiny vibrations,
abuzz with their big ideas,
are filling the universe with gossip,
the unsung art of small talk

that, not unlike busybody Beethoven,
keeps us forever together, even
when everything’s flying apart.

Wednesday Poem

Relevant to the world’s events, which I am trying to ignore, here is a sonnet composer/lyricist Lin-Manuel Miranda wrote for his Tony’s acceptance speech, just hours after the Orlando shooting. (You can listen to  him read it here.)

We chase the melodies that seem to find us
Until they’re finished songs and start to play
When senseless acts of tragedy remind us
That nothing here is promised, not one day.
This show is proof that history remembers
We lived through times when hate and fear seemed stronger;
We rise and fall and light from dying embers,
remembrances that hope and love last longer.
And love is love is love is love is love
is love is love is love cannot be killed or swept aside.
I sing Vanessa’s symphony, Eliza tells her story;
now fill the world with music, love and pride.

 

Tuesday Poem

I was going to post a recent Mary Oliver poem about being alive! and staying awake! and wandering through the forest noticing everything! but you know what? I think the reality for most of us is really this Billy Collins one–“busily missing God knows what.”

It’s ok, though. Billy doesn’t make it tragic.

The Sandhill Cranes of Nebraska
by Billy Collins

Too bad you weren’t here six months ago,
was a lament I heard on my visit to Nebraska.
You could have seen the astonishing spectacle
of the sandhill cranes, thousands of them
feeding and even dancing on the shores of the Platte River.

There was no point in pointing out
the impossibility of my being there then
because I happened to be somewhere else,
so I nodded and put on a look of mild disappointment
if only to be part of the commiseration.

It was the same look I remember wearing
about six months ago in Georgia
when I was told that I had just missed
the spectacular annual outburst of azaleas,
brilliant against the green backdrop of spring

and the same in Vermont six months before that
when I arrived shortly after
the magnificent foliage had gloriously peaked,
Mother Nature, as she is called,
having touched the hills with her many-colored brush,

a phenomenon that occurs, like the others,
around the same time every year when I am apparently off
in another state, stuck in a motel lobby
with the local paper and a styrofoam cup of coffee,
busily missing God knows what.

Poems I Know From Ray Bradbury

Like the Yeats poem on St Patricks Day, I first encountered this one as the title of a Bradbury short story about the only house standing after an implied nuclear war. In the story, the smart house recites the poem and it’s all very creepy.

Turns out, Sarah Teasdale wrote it after WWI and stripped of the story, it’s much less creepy and more pretty and melancholy.

There Will Come Soft Rains

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools, singing at night,
And wild plum trees in tremulous white,

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.