Summer Poem

This is from Robert Hass’s “Santa Barbara Road” (in Human Wishes)  and it popped into my head this morning as I was thinking how nice it is that it’s light when you wake up and warm when you get out of the shower.

 

Everything rises from the dead in June .
There is some treasure hidden in the heart of summer
everyone remembers now, and they can’t be sure
the lives they live in will discover it.
They remember the smells of childhood vacations.
The men buy maps, raffish hats. Some women
pray to it by wearing blouses
with small buttons you have to button patiently,
as if to say, this is not winter, not
the cold shudder of dressing in the dark.

Getting All We Can Out Of National Poetry Month

Today’s poem is by Robert Hass, one of my first loves, from Sun Under Wood. It’s not seasonally appropriate but the happiness and “the wakefulness of living things” are right on:

Happiness

by Robert Hass

Because yesterday morning from the steamy window
we saw a pair of red foxes across the creek
eating the last windfall apples in the rain—
they looked up at us with their green eyes
long enough to symbolize the wakefulness of living things
and then went back to eating—

and because this morning
when she went into the gazebo with her black pen and yellow pad
to coax an inquisitive soul
from what she thinks of as the reluctance of matter,
I drove into town to drink tea in the cafe
and write notes in a journal—mist rose from the bay
like the luminous and indefinite aspect of intention,
and a small flock of tundra swans
for the second winter in a row was feeding on new grass
in the soaked fields; they symbolize mystery, I suppose,
they are also called whistling swans, are very white,
and their eyes are black—

and because the tea steamed in front of me,
and the notebook, turned to a new page,
was blank except for a faint blue idea of order,
I wrote: happiness! it is December, very cold,
we woke early this morning,
and lay in bed kissing,
our eyes squinched up like bats.

Thursday Poem

From my buddy Robert Hass:

The Problem of Describing Trees
The aspen glitters in the wind
And that delights us.

The leaf flutters, turning,
Because that motion in the heat of August
Protects its cells from drying out. Likewise the leaf
Of the cottonwood.

The gene pool threw up a wobbly stem
And the tree danced. No.
The tree capitalized.
No. There are limits to saying,
In language, what the tree did.

It is good sometimes for poetry to disenchant us.

Dance with me, dancer. Oh, I will.

Mountains, sky,
The aspen doing something in the wind.

3+1 Things: The Late Spring/Early Summer Poem

Deciding to cut my yearly goals from 30 to 3 (because let’s be honest, will I really do the +1 this year?) does give me a lot less to blog about.

On the other hand, I have a much better chance at success: That section of “Ash Wednesday” is memorized and ready to be recited at a moment’s notice, which I have been doing for Toby at home during times of stress. (Eliot is really satisfying to declaim dramatically, I found out.)

That means it’s time to move on to the next poem I want to memorize, “Meditation at Lagunitas” by my old buddy Robert Hass. I have sections of this in my head already but I want to fill in the gaps so I can say it straight through. To Toby. (Yes, it’s probably just as well I am being realistic about that +1.)

Anyway, here’s the poem, one of my favorites, with the most elegant use of “numinous” I’ve encountered:

Meditation at Lagunitas

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.

Ninety Degress!

I think the whole office will be restless today.

There is some treasure hidden in the heart of summer
everyone remembers now, and they can’t be sure
the lives they live in will discover it.

(From “Santa Barbara Road,” Robert Hass.)